Gobekli tetl teotl

...were they working out the early alphabet at Gobekli, with the T-stones? in that case, they already had the word for stone(E/solar appelative/tona)= tetl(N/nouns form last)=te(N/old version), then, Te(o)tl(N)=Teo. now the question is: how does sound connect to the form of the Teotl, which is, T. well, deity being above, and some below, but, tleco(N)=leg(E)=to rise, it may have been the action of the Tongue upon saying, T, which determined its form as Teotl(Nauatl). when said, the Tongue rises and flattens itself out on the ceiling/ceiling/cielo of the paladar/palate, widening the horizontal bar of the, T, then drops downward to form the vertical Trunk. the anthropomorphic theme is continued by the graven hands on the sides of the column. of course the, T, cannot give voice, but in its presence, that is the duty of the worshippers. On the sides of Teo, hand of 3 fingers=fingir(sp)=imagine/create=f/pi(n)qui (letra)=piqui(N)=who picks,=pi/opic(N). on the 3d day Teo arranged the waters into seas and revealed the land. ah, 3=calli(N)=being/house. the large middle finger=pixie, may refer to a monotheistic condition Teo may have been suffering, and the 2 side fingers, perhpas 2=Ehecatl, the wind, altho it is a bit early for her as a weavng deity: that had to wait until 7k bce in Belgrade, but her Father, Perses, gave his name to Persia, and it may have taken a millenium for her to reach Belgrade as Lady Birdsnake, by 8k bce Gobekli was buried.